From Megan Baum's great interview with Steve Martin in The Believer, Famous Just Right:
My process is, I get inspired to write the first couple of sentences and I just keep going with it. I try to think about where the next bit is before I stop. Then I'll stop at a natural place, either because I'm tired or because I get distracted. And then the days go by and I know that my mind is like churning and churning and churning and churning, and then I'll go back and it comes out freely. I don't mind waiting until it does come out freely.
Do you feel guilty while you're waiting?
No, because I believe when I'm not writing--and when all of us aren't writing--we're thinking.
What if it goes on for years?
Well, I think that there can be a moment where the writer becomes confident. It may take 15 years, or it may never come, but I think that's what that block is about. The other thing is, as life goes on, you have more to say. I remember once David Geffen said to me--this was after I'd done my stand-up act and I'd quit--he said, "You should go back on the road, you should do your stand-up again." And I said, "David, I don't have anything to say." You've got to have something to say. And by "something to say," you might not even know what it is. You just know it's in there, trying to get out. I guess I should clarify. It's not necessarily "something to say" but "something to discuss." "Something to say" is a myth. That's like an aphorism.
I still can't put my finger on why Shopgirl made me so uneasy but I thoroughly loved The Pleasure of My Company, would that they were making that into a movie instead. And if you read Pure Drivel and didn't enjoy yourself, I'm not sure we can be friends.

I haven't read any of his fiction, but I've been meaning to. L.A. Story is one of my favorite movies *ever*.
hey lia: the tribes magazine is comming together: will be going to boston in june to get a first copy together: do you want to write an essay about 24in48, as well as the glowlab, manofcrowd experience?
aldo tambellini is going to help me out with this before I travel to toronto to meet with steve mann.
we will have Thomas Levin writing a foreword on the sousveillance art movement.
tried emailing you, but I think i got lost in the crowd of messages.
stef
cruel shoes? c'mon, that was brilliant.
I am your Biggest fan:
and I love you so much that you make me Laugh, so much Al Ready and can you talk to yourself
of Inspector Jacques Clouseau that I Want him
Good bye for now.
By: Karen Annette Hicks.